https://digital.pitts.emory.edu/api/items/14440
type: Item
id: 14440
is public: true
owner: https://digital.pitts.emory.edu/api/users/2
resource template: https://digital.pitts.emory.edu/api/resource_templates/4
title: Mes (2008)
created: 2024-04-16T15:51:35+00:00
modified: 2025-04-02T17:59:35+00:00
primary media: https://digital.pitts.emory.edu/api/media/14522
media: https://digital.pitts.emory.edu/api/media/14522
site: https://digital.pitts.emory.edu/api/sites/1
site: https://digital.pitts.emory.edu/api/sites/5
site: https://digital.pitts.emory.edu/api/sites/15
site: https://digital.pitts.emory.edu/api/sites/16
identifier: MIN_I005
created: 2008
description: Artist Statement: "The title of this work, <MES>, means that all the people looking at Jesus are all my various aspect. So I named me as <MES> in plural. In the background of the painting appears the painting <SSireum: Korean wrestling> by Kim Hong-Do (artist of the late Joseon dynasty). All of them are figures borrowed from this painting. In the middle of this work, I borrowed the Crucifixion from <Grünewald's Isenheim Altarpiece 1515>, Matthias Grünewald is a 16th century German painter. Borrowing images in postmodernism takes its own place in the history of modern art. It assumes that spectators already know great value of the original works. The images borrowed in the following works are classified into three categories: masterpieces in Western Christianity, Korean paintings in late Joseon dynasty. First, I borrow several Western masterpieces since Christian faith have long been expressed in works of art from the Western perspective. In this way I hope to help people feel at ease with the communicated biblical stories. Next, I borrow several Korean indigenous images from the paintings in the late Joseon dynasty which show a uniquely Korean identity independent from the Chinese culture. In order to express my identity as a Korean artist and to carry on the Korean cultural tradition, I borrow genre paintings of Joseon dynasty. With the emerging issue of consilience in mind, I reconstructed these materials— that is, images from the East and the West that were used in different works of art and thus had no intrinsic relationship with one another—so that each of them should be found in one piece of artwork. This suggests moving forward to a new phase through conflict and reconciliation between the past and the present, and between the East and the West."
creator: Min, Kyeong Ah
creator: 민경아 @ko
contributor: Grünewald, Matthias, active 16th century
contributor: Kim, Hong-do, 1745-
subject: Crucifixion
subject: Koreans
subject: Christianity
subject: Identification (Religion)
subject: Art, Korean
subject: Art, German
subject: Jesus Christ
subject: Grünewald, Matthias, active 16th century. Isenheim Altar
subject: Kim, Hong-do, 1745-. Tanwŏn pʻungsok tochʻŏp 단원 풍속 도첩
temporal: Twenty-first century
extent: 60 x 45 cm
type: Still image
medium: linocuts (prints)
locator: CST, 1st Floor
rights: © Kyeong Ah Min (민경아). Reproduced with permission. This online edition is made available for individual viewing and reference for educational purposes only, such as personal study, preparation for teaching, and research. Your reproduction, distribution, public display or other re-use of any content beyond a fair use as codified in section 107 of US Copyright Law or other applicable privilege is at your own risk. It is your sole responsibility to investigate the copyright status of a work and obtain permission when needed.
rights: https://rightsstatements.org/vocab/InC/1.0/
rights holder: Min, Kyeong Ah
rights holder: 민경아 @ko
date copyrighted: 2008
owner: Emory University
mediator: Pitts Theology Library
coverage: 2008

https://digital.pitts.emory.edu/api/users/2
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https://digital.pitts.emory.edu/api/media/14522
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https://digital.pitts.emory.edu/api/sites/1
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https://digital.pitts.emory.edu/api/sites/5
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https://digital.pitts.emory.edu/api/sites/15
id: 15

https://digital.pitts.emory.edu/api/sites/16
id: 16

https://rightsstatements.org/vocab/InC/1.0/
type: uri
property id: 15
property label: Rights
is public: true
label: IN COPYRIGHT