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A historiated woodcut border framing the first page of Isocrates' Ad Nicolem Regem de institutione principis. The border features a pair of horn blowers, decorative columns, and floral designs.

A historiated woodcut border of Institutio principis Christiani : saluberrimis referta praeceptis. The border features cherubs, columns, male and female figures merged with the floral designs, as well as a pair of rabbits.

A decorative woodcut placed above the colophon featuring the printer's mark of Johann Froben, a crest with a caduceus, being supported by cherubs beneath an architectural arch. Surrounding the woodcut are a number of marginalia as well as two sketches mimicking the central staff of the caduceus and one of the cherubs.

A historiated woodcut border of the title page of Moriae encomium : nunc postremum ab ipso autore religiose recognitu[m] una cum alijs aliquot libellis, no[n] minus eruditis quam amoenis, quorum omniu[m] titulos proxima pagella loquetur. The border features the personifications of several deadly sins and cardinal virtues, including Pride, Greed, Justice, Prudence, and Hope. At the bottom of the border, the personified Fortuna rides a horse as a skeleton shoots a man with an arrow.

A historiated woodcut border of the title page of Condemnatio Doctrinalis libror[um] Martini Lutheri featuring floral decorations, cherubs, fruits, cornucopias, baskets, and greenmen.

The title page of a printed version of the papal bull against Martin Luther featuring the papal arms of Leo X which incorporates the Medici family crest.

An architectural historiated woodcut border on the title page of the second printing of Philip Melanchthon's inagural address to the Wittenberg faculty. The border features the printer's device of Johann Froben, a shield with a caduceus, surrounded by a wreath. At the bottom is a scene of Salome requesting, and recieving, the head of John the Baptist.

A woodcut depicting Jesus as the "man of sorrows" (Isaiah 53:3), surrounded by the instruments of his suffering and death, including a spear, cross, hammer, scourge, and crown of thorns, as three die sit stacked at his feet. The phrase "Ecce homo" appears behind the form of Jesus.

A woodcut depiction of Saint Jerome seated at his desk with two books before him, one with Greek letters and another with Latin, representing his work translating the Bible. Jerome has turned from the books to remove a thorn from the paw of a lion, a popular story from the saint's life.

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Summary: A thesis written in partial fulfillment of the requirements for the degree of Bachelor of Divinity at the Candler School of Theology on the educational opportunities for African American children in Atlanta, Georgia, including an assessment of curriculum, teaching staff, and school buildings.

Summary: Foochow colloquial hymns with music.

Summary: It is claimed to be the first English Bible translated by a woman.

Summary: It is claimed to be the first English Bible translated by a woman.

Summary: Chinese hymns in Amoy dialect (Romanized).

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Summary: This is Luther's reinstatement of the Litany of "All Saints", containing both the musical notation and German text of the antiphons.

Summary: This is a response, written by Zwingli and adopted by the Council of Zurich, to a warning letter from Hugo von Hohenlandenberg (1457-1532), Bishop of Constance, about the destruction of images (Simulacra) and the reform of the Holy Mass. The bishop argued that the Bible forbade only heathen images; Christian imagery was entirely licit and its use sanctioned by the Council of Nicaea. The book was circulated at the Diet of Lucerne in April 1524 but did not reach Zurich until early June.