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An embroidered depiction of the original building of the Chongkyo Methodist Church on silk. Chongkyo Methodist Church was built and founded by missionaries from the Methodist Episcopal Church, South, in Seoul, Korea, in the early 1900s and was part of the Seoul Circuit of the Korea Conference. The piece shows the original church building with a selection of Korean figures, men and women, approaching or walking by the church. A dedication is embroidered across the top of the work.

Evoking the scene of Jesus' baptism, this linocut work depicts a man holding a shell above a boy who kneels beside a river. Two men and a woman look on as a dove descends from the curling clouds gathered over the mountainous background.

Drawing on scenes of gathering and shared meals in the Bible, specifically the wedding in Cana, Jesus feeding the five thousand, and the Last Supper, this linocut depicts a group of men, women, and children gathered and sharing food and drink. At the center of this gathering is a large ornamental ewer.

Artist Statement: "Seongsan Bridge appears over the River Han. Across the bridge stands Lotte World Tower, a 123-floor skyscraper that officially opened in 2017. A cross is floating on the river. Martin Luther, while reminding us of his speech at the Diet of Worms, stands just next to Jesus, pointing to him. Several people surrounding them are watching the event of Jesus' crucufixion. All of them are figures borrowed from Yun-Bok Shin's genre paintings. There are also other figures borrowed from Hong-Do Kim's paintings.

Artist Statement: "In the background of the painting appears the 1938 edition of the Korean Bible--especially, Romans 1:17 ("the righteous will live by faith"). The cross of Jesus Christ stands in the middle between Martin Luther [(1483-1546)] on the left and Philipp Melanchton [sic][(1497-1560)] on the right. The cross and the three persons beneath it--John the Baptist, Chranach [sic], and Luther-- originally appeared in the alter painting entitled Law and Grace.

Artist Statement: "The title of this work, <MES>, means that all the people looking at Jesus are all my various aspect. So I named me as <MES> in plural. In the background of the painting appears the painting <SSireum: Korean wrestling> by Kim Hong-Do (artist of the late Joseon dynasty). All of them are figures borrowed from this painting. In the middle of this work, I borrowed the Crucifixion from <Grünewald's Isenheim Altarpiece 1515>, Matthias Grünewald is a 16th century German painter.

An eight panel folding screen supporting calligraphy of an interpretation of the Eight Beatitudes (Matthew 5) in Chinese. The artist, Rev. Eun-deok Choi, has signed the work with his sobriquet, 義山 (의산; Righteous Mountain). The artist, Rev. Choi, was an acquaintance of the former President of Methodist Theological University in Seoul, Bong-bae Park, and may have originally gifted the work to him. Park, in turn, was a friend and colleague of former Emory University President and US Ambassador to Korea, James T. Laney, and possibly gifted the work to him.

Plate 22 from Recueil de planches de l'Encyclopédie, par ordre de matières. Pêches displaying implements used in beachcombing and shoreline fishing, including a depiction of the tools in use at the top of the page.

A map showing the coastline of West Africa in the region known as Upper Guinea, including the French names fro a number of countries, islands, rivers, and cities.

A portrait of George Frideric Handel, framed above a scene of ancient Greco-Roman musicians playing pipe, lyres, and harps for a crowd of politicians and soldiers. A number of instruments and sheets of music are included into the framing of the scene, including horns, woodwinds, and a violin.

The title page of Michael Denis' Annalium typographicorum v. cl. Michaelis Maittaire supplementum featuring an image of a crowned woman sitting on a block bearing the two-headed eagle of the Holy Roman Empire as she arranges a board of movable type. A printing press sits to the woman's left, a line of drying pages in the background, and a child (possibly a cherub) sitting at a small table to her right.

The title page of Diego de Saavedra Fajardo's Obras de Don Diego de Saauedra Faxardo Cavallero del Orden de S. Iago, del Consejo de su Magestad en el Supremo de las Indias, y su Embajador plenipotençiario en los treze cantones, &c. : en dos tomos divididas, el [segundo] contiene II. La republica litteraria. El segundo corona Gothica, Austriaca y Castellana dividida en tres partes featuring the printer's mark of Jan Baptist Verdussen. The mark features a heron feeding its young.

An image of an early, Gutenberg style printing press with a pair of ink balls on top of the arranged type. Above the image is the inscription, "EX FVMO IN LVCEM," translated as "from smoke into light."

The dedication page of Diego de Saavedra Fajardo's Obras de Don Diego de Saauedra Faxardo Cavallero del Orden de S. Iago, del Consejo de su Magestad en el Supremo de las Indias, y su Embajador plenipotençiario en los treze cantones, &c. : en dos tomos divididas, el primero contiene I. Idea de un principe politico christiano, representada en cien Empresas, honoring Aubertus van den Eede, the Bishop of Antwerp. The bishop's coat of arms is included at the top of the page, featuring a quartered crest and topped with a galero.

The title page of Diego de Saavedra Fajardo's Obras de Don Diego de Saauedra Faxardo Cavallero del Orden de S. Iago, del Consejo de su Magestad en el Supremo de las Indias, y su Embajador plenipotençiario en los treze cantones, &c. : en dos tomos divididas, el primero contiene I. Idea de un principe politico christiano, representada en cien Empresas featuring the printer's mark of Jan Baptist Verdussen. The mark features a heron feeding its young, flanked by a pair of cherubs holding fruits, with the inscription "SIGNVM AMORIS," translated as "A sign of love."

The title page of Peter Lambeck's Petri Lambecii Hamburgensis Commentariorum de augustissima Bibliotheca Caesarea Vindobonensi liber secundus featuring the coat of arms of the Holy Roman Empire, guarded from above by an eagle holding a sceptre and a sword. To the left and right of the main coat of arms are an additional two crests, a book and pen, and a helmet.

A depiction of seven notable scholars (real and mythological) from ancient Greece and Rome, including (clockwise from the bottom left): Xenokrates (ΞΕΝΟΚΡΑΤΗς), Pamphilos (ΠΑΜΦΙΛΟς), Machaon (ΜΑΧΑωΝ), Cheiron (ΧΕΙΡωΝ), Nigros or Niger (ΝΙΓΡΟς), [H]erakleides (ΗΡΑΚΛΕΙΔΗς), and Mantias (ΜΑΝΤΙΑς).

A portrait of Danish astronomer Tycho Brahe surrounded by an architectural border featuring sixteen labeled coats of arms of his ancestor's families.

The frontispiece of Thomas Hobbes' Leviathan, or, The matter, forme, & power of a common-wealth ecclesiasticall and civill, the upper portion of which features a large figure representing sovreign authority. The figure's body is composed of individual citizens, is crowned, and holds a sword and crosier. The figure looms over a set of rolling hills in the background and a city in the foreground.

The title page of Galileo Galilei's Systema cosmicvm, authore Galilæo Galilæi ... : in quo qvatvor dialogis, de duobus maximis mundi systematibus, Ptolemaico & Copernicano, vtriusq; rationibus philosophicis ac naturalibus indefinite propositis disseritur featuring Aristotle, Claudius Ptolemy, and Nicolaus Copernicus gathered between a pair of columns holding up a banner with the book's title. Above the title, a pair of cherubs support the Medici coat of arms. Ptolemy holds an armillary sphere model and Copernicus holds a model of the Earth orbiting the Sun.

The title page of Kirche[n] Gesäng : aus dem Wittenbergischen vnd allen andern den besten Gesangbüchern, so biss anhero hin vnd wider aussgangen colligirt vnd gesamlet ; In eine feine richtige vnd gute ordnung gebracht, vnd auffs fleissigest, vnd nach den besten exempla, including a frame with several scenes from the New Testament. The scenes include: the nativity (top), Jesus teaching and healing (top left), Jesus praying in the Garden of Gethsemane and the crucifixion (bottom left), the resurrection (top right), and Pentecost (bottom right).