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An engraved headpiece to the first, seventh, and thirteenth books of Moyne's epic, "Saint Louys," depicting a pair of cherubim holding a crown of thorns above an interwoven pair of initials ("SL") which sit above a laurel crown and crossed palm fronds. Above the scene is a banner with the Latin motto, "est lauros palmasque Super" (It [Crown of thorns] is above laurels and palms).

An engraving depicting a scene from the first book of the epic poem, Saint Louys, in which Saint Louis (seated, right) meets with the Saracen representatives, Mélédor (center) and Garaman (bottom left), on behalf of Sultan Mélédin. Beside Louis is an angel wielding a sword, who appears to dissuade Mélédor from attempting to assassinate Louis, as he had planned. In the bottom left foreground, Garaman lays out a set of poisoned armor indended as a gift for Louis.

An engraved headpiece to the section "Traite' du poeme heroique" depicting a collection of instruments, including bagpipes, horns, trumpets, and an organ, above which is a banner reading "Spiritus est qui vivificat" (The spirit is that which brings life).

The title page of Saint Louys, ou, La sainte couronne reconquise : poeme heroique, featuring an engraving depicting the printer's device of Augustin Courbe. The printer's device features a pair of cherubs flanking a medallion with a palm tree and the motto "CVRVATA RESVRGO."

An engraved frontispiece of Saint Louys, ou, La sainte couronne reconquise : poeme heroique. The engraving depicts King Louis IX, dressed in the garb of a Roman soldier, kneeling before Christ and holding out a crown of thorns as Christ holds out a crown of stars. Above them, an angel carries a banner reading "Iam stella est, quae spina fuit" (Now [there] are stars, where [there] were thorns).

A series of six engravings depicting a variety of Catholic blessings, including: blessing of priestly robes (top left), blessing of the cross (top right), adoration of the cross (middle left), blessing of the sun (middle right) blessing of a soldier (bottom left), and blessing of a flag (bottom right).

An engraving depicting a ceremony of the Ordre du Saint-Esprit, a French chivalric order.

A series of six engravings depicting elements of the process of ordaining nuns. The bishop gives the nuns their rings (top left), the bishop crowns the nuns with wreaths (top right), the reading of the anathema (middle left), nuns present their candles (middle right), the bishop celebrates communion with the nuns (bottom left) and the bishop gives the nuns their breviaries (bottom right).

A series of six engravings depicting Elements of the processes of ordaining abbots, abbesses, and nuns: the abbot receiving his ecclesiastical habit (top left), the laying on of hands (top right), the abbess receiving her veil (middle left), nuns being consecrated (middle right), blessing the habits of the nuns (bottom left), and nuns receiving their veils (bottom right).

A series of six engravings depicting scenes in the life of a Roman Catholic bishop, including his blessing of holy oil (top right), a procession of holy oil (top left) , his encouragement of a parish (middle right), his visit to his diocese (middle left), a parishioner kissing his hand (bottom left), and the public display of his body after death (bottom right).

A series of six engravings depicting elements of the process of ordaining a Roman Catholic bishop: including the bestowal of his ring (top left), bestowal of a book of the gospels (top right), presenting the torches, the bread and the wine (middle left), dressing in his miter (middle right), receiving his crosier (bottom left), and dressing in his pallium (lower right).

A series of six engravings depicting elements of the process of ordaining a Roman Catholic bishop, including his presentation (top left), his oath (top right), his bowing before the altar (middle left) anointing (middle right), the anointing of his hands, (bottom left), and the bestowal of his crosier (bottom right).

A series of six engravings depicting papal funeral rituals including the recognition of the pope’s body (top left), the procession of the body to Saint Peter’s basilica (second row), the body lying in state for three days at Saint Peter’s (third row left), the pope’s catafalque (a raised bier used to support the coffin) (third row right) and the funeral procession (bottom).

An engraving depicting the interior of the Sistine Chapel.

A series of six engravings depicting the events surrounding election of new pope. He is adored in the Sistine Chapel (top right), he is adored at thealtar of St. Peter (top left), he witnesses the burning of flax, which represents the fleeting nature of earthly glory (middle right), he is crowned (middle left), he receives a Torah scroll from the Jewish people (bottom right) and receives the keys symbolizing the keys to the Kingdom of heaven.

A series of six engravings depicting a conclave, the process by which Roman Catholic cardinals elect a new pope. The rules of the conclave, in which the cardinals are locked in seclusion, were established to prevent political interference and long delays. Food was delivered through a window; after three days, they only received one meal a day and after five days, only bread and water.

A pair of engravings depicting a representation of a ballot for a papal election (top) and a design for the structure of the temporary living spaces for Cardinals during the papal conclave (bottom).

A set of six engravings depicting various examples of separation and reconciliation in the Catholic Church. The upper engravings show the degradation and restoration of a bishop. The middle engravings show the extinguishing of a candle, symbolizing excommunication, and the restoration of the excommunicated person to the church . The lower engravings show a heretic seeking reconciliation and being led to the altar by a bishop.

A pair of engravings depicting a Jewish funeral (top) and a Jewish burial (bottom). The top engraving shows the hakafoth, a series of seven processions, around the coffin. The bottom engraving shows a group of attendants filling a grave with dirt.

A pair of engravings depicting the brit milah (ritual circumcision) (top) and the pidyon haben (redemption of the firstborn son) (bottom). The top engraving shows the family of the infant gathered as the rabbi oversees the proceedure. The bottom engraving shows the family of the child gathered around as the father presents the first-born son to the kohen (a priest directly descended from Aaron).

An engraving depicting assorted instruments for the brit milah (Jewish ritual circumcision) (top) and a Torah scroll witht he related trappings, including finials for the ends, a fabric wrap for a closed roll, an ornate cloth mantle to cover the closed scroll, a pointer, and a box holding chits with the names of members of the synagogue to be drawn for aliyot (divided into groups based on status).