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Sketch of Pope Sixtus V (pope 1585-1590)

Satirical wood-engraving from the workshop of Lucas Cranach, depicting the pope, with ears of an ass, sitting on a wooden throne at the mouth of hell, on the title page.

Sketch of Martin Luther, based on a 1546 woodcut portrait of Luther by Lucas Cranach.

Summary: Luther's last great reckoning with the pope, issued in the year before his death, is a particularly biting satire. In the tract, Luther attacks both Divine and ecclesiastical legitimacy for the papacy.

Summary: A Christian hymnal translated by the Rev. W. Muirhead. Additional details: This work is a part of the Hymnody Collection at Pitts Theology Library.

Additional details: On cover: "Edited by S.F. Woodin." in ink. Additional details: This work is a part of the Hymnody Collection at Pitts Theology Library.

Additional details: On cover: Mrs. Wetworth. This work is a part of the Hymnody Collection at Pitts Theology Library.

With: A companion for the altar. Extracted from Thomas à Kempis. By John Wesley. Bristol : Printed by Felix Farley ..., 1742. Additional details: This work is a part of the Hymnody Collection at Pitts Theology Library.

Signatures: A-K8, L3.

Engraved portrait of Petau.

Imprint: Name of printer from colophon to first pt. Colophon, "Gedruckt zu Wittemberg durch Peter Seitzen Erben."

Summary: Melanchthon first wrote the Instructions for Church Visitations in 1527 in both German and Latin. He was himself one of the first visitors to put the work to use. As a result some changes were made to the manuscript, and the whole was sent to Luther for the purpose of securing a preface. Luther thought so highly of it that he "adopted" it, and revised it for publication in 1538.

Summary: Exemplar of a unique contemporary printing of Swiss Reformer Ulrich Zwingli's apology for his theological position, sent to the assembled princes at the Diet of Augsburg in 1530. Zwingli focusses especially on the Lord's Supper, in view of the criticisms of his position by Johann Eck.

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