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A series of six engravings depicting a Roman Catholic cleric receiving tonsure (top left) and a surplice (top right), and the ordination of a sexton (middle left), a lector (middle right), an exorcist (bottom left), and an acolyte (bottom right).

A pair of engravings depicting the display of the body within a coffin before the house of the deceased or their family (top) and the offering of the Eucherist during a mass of requiem for the dead (bottom).

A series of six engravings depicting a Roman Catholic bishop leads worshipers through rites of penance, including putting on sackcloth, kneeling outside with extinguished candles, and reciting the litanies.

A pair of engravings depicting penitents stepping into the confessional to confess their sins to a priest (top) and a priest anointing a dying man as part of the last rites (bottom).

A pair of engravings depicting parishioners taking Communion (top) and a priest delivering the Eucharist as part of the last rites (bottom).

A pair of engravings depicting the rites of confirmation including the anointment (top) and the laying on of hands (bottom).

A pair of engravings depicting two methods of baptism. The top scene shows a Catholic priest baptising an infant at a font. The bottom scene shows a midwife baptising a child after birth.

Three engravings depicting the front of the Shroud of Besançon and the front and back of the Shroud of Turin.

A series of six engravings depicting the steps of consecration for new items within a church, including a cross, a bell and a statue.

A series of six engravings depicting the process of consecrating the interior of a church with holy oil. The scenes show a bishop anointing and consecrating parts of a church, known as chrism, including crosses on the walls, the trappings of the altar, and the altar itself.

A series of six engravings depicting the process of blessing an altar. The scenes include (top left), a bishop following behind a subdeacon spreading ash on the ground writing the Latin and Greek alphabets in a cross shape (top left), a bishop anointing the altar (middle left) and the floor (middle right) with holy water, a procession bringng relics into the church (bottom left), and a bishop placing the relics inside the altar (bottom right).

A series of six engravings depicting the process for blessing a new church as it is built. The scenes include a bishop blessing the first stone (top left) and the earth on which the church will be built (top right), a bishop then placing the first stone (middle left) and blessing the church foundation (middle right), a bishop sprinkling holy water on the completed church (bottom left) and making the sign of the cross at the door (bottom right).

An engraved ornamental tailpiece appearing at the end of the introductory section. The engraving depicts a platform with the inscription "Finis" above which hangs a bell and drapery. Holding the drapery and bell up is a decorative boarder featuring a pair of cherubs, a censer, a stole, an open book (likely a Bible), and other Catholic ritual items.

This large-format broadside was probably issued to commemorate and popularize the canonization of Charles Borromeo (1538-1584) in November of 1610. Borromeo was a crucial interlocutor during the final sessions of the Council of Trent and also undertook many reforming practices while serving as the Archbishop of Milan. Although the engraving was printed in Antwerp, the text including the detailed captions demonstrate that it was intended for an Italian audience.

An engraved frontispiece of Histoire des conclaves depuis Clement V. jusqu'à present, augmentée, depuis la première édition, de plusieurs mémoires concernans le pape & les cardinaux d'aujourdhui, & les principales familles de Rome : où l'on apprend quantité de particularitez de cette cour. Avec un discours qui explique, suivant le taille douce, toutes les cérémonies qui s'observent depuis la mort du pape, jusqu'après l'élection de son successeur.

An engraving depicting detailed representations of the four sides of the Obelisk of Domitian, which had been moved by Pope Innocent X from the Via Appia to his family home, the Palazzo Pamphilj. Between the four sides, there is a small representation of the obelisk with a decorative ribbon proclaiming it the "Obelisus Pamphilius" (bottom), a cherub holding a pair of medallions with a portrait of Innocent X (left) and the obelisk (right) (middle), and an angel lying on a cloud supporting Innocent X's coat of arms.

A pair of engravings depicting the Scala Sancta at St. John Lateran and statues of the Dioscuri with horses which were moved to the Piazza del Quirinale, both of which were a part of Pope Sixtus V's urban reform program.

A pair of engravings depicting the dome atop St. Peter's Basilica and the Vatican Library, both of which were parts of Pope Sixtus V's urban reform program.

A pair of engravings depicting four obelisks (Vatican Obelisk, Lateran Obelisk, Flaminio Obelisk, and the Esquiline Obelisk), the Santi Apostoli, and Trajan's Column. All of these were part of Pope Sixtus V's urban reform program.

An engraving depicting a Roman triumphal procession passing through a triumphal gate and accross the triumphal bridge (Pons Neronianus/Vaticanus) along the triumphal way (Via Triumphale) across the Tiber River. Above the scene, an angel flies, blowing on a trumpet that is draped with a flag bearing a crest with "S.P.Q.R." on it. The accompanying text discusses sources that claim St. Peter was buried near the Via Triumphale.

An engraved border to Descrizione di Roma moderna formata nvovamente. The engraving depicts a pair of figures, one holding a cross and chalice and the other holding an anchor flanking a crest with three bees (the Barberini family) crowned by a galero (bottom), a pair of cherubs with shields (one with the papal keys and the other with S.P.Q.R.