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Summary: This work is an anonymous translation to German from Latin of Luther's letter (Ad inlustrissimum principem Carolum Sabaudiae ducem Epistola) to Duke Charles III of Savoy, dated September 7, 1523.

Summary: This work is an anonymous translation to German from Latin of Luther's letter (Ad inlustrissimum principem Carolum Sabaudiae ducem Epistola) to Duke Charles III of Savoy, dated September 7, 1523.

Summary: First printing of an early Advent sermon by Luther, focusing on the signs of the impending end of the world.

Summary: First printing of an early Advent sermon by Luther, focusing on the signs of the impending end of the world.

Summary: Sermon preached July 27, 1522, on Matthew 5:20ff. (Unless your righteousness is greater than that of the Pharisees, etc,.).

Summary: Sermon preached July 27, 1522, on Matthew 5:20ff. (Unless your righteousness is greater than that of the Pharisees, etc,.).

Summary: Sermon by Martin Luther criticizing the adoration of the cross and supposed relics of the Passion.

Summary: Sermon by Martin Luther criticizing the adoration of the cross and supposed relics of the Passion.

Summary: Sermon preached June 9, 1522, on John 3:16 (God So Loved The World).

Summary: Sermon preached June 9, 1522, on John 3:16 (God So Loved The World).

Summary: Sermon preached in Erfurt, October 21, 1522, on Matthew 25:1ff. (Wise and Foolish Virgins).

Summary: Sermon preached in Erfurt, October 21, 1522, on Matthew 25:1ff. (Wise and Foolish Virgins).

Summary: The sixth printing (of ten in 1523) of Luther's early treatise, "That Jesus Christ was born a Jew", in which he denies the charges made against him that he did not believe in the Virgin Birth, but rather that Jesus was a naturally born child of Joseph and Mary. In this tract, Luther confesses that he believes that Jesus was born a Jew of the Virgin Mary. He also hopes that his teaching will bring more Jews to convert to Christianity.

Summary: The sixth printing (of ten in 1523) of Luther's early treatise, "That Jesus Christ was born a Jew", in which he denies the charges made against him that he did not believe in the Virgin Birth, but rather that Jesus was a naturally born child of Joseph and Mary. In this tract, Luther confesses that he believes that Jesus was born a Jew of the Virgin Mary. He also hopes that his teaching will bring more Jews to convert to Christianity.

Summary: The fifth printing of Luther's early treatise, "That Jesus Christ was born a Jew", in which he denies the charges made against him that he did not believe in the Virgin Birth, but rather that Jesus was a naturally born child of Joseph and Mary. In this tract, Luther confesses that he believes that Jesus was born a Jew of the Virgin Mary. He also hopes that his teaching will bring more Jews to convert to Christianity.

Summary: The fifth printing of Luther's early treatise, "That Jesus Christ was born a Jew", in which he denies the charges made against him that he did not believe in the Virgin Birth, but rather that Jesus was a naturally born child of Joseph and Mary. In this tract, Luther confesses that he believes that Jesus was born a Jew of the Virgin Mary. He also hopes that his teaching will bring more Jews to convert to Christianity.

A woodcut border to Luther's Den auszerwölte[n] lieben Gottes, allen gelydern Chrysti zuo Augspurg : seinen liebe[n] herren vnd brüdern printed in 1524. The border is composed of five separate woodcuts depicting Adam and Eve (sides), a pair of dragons flanking shields (bottom), a gryphon (center), and an owl (top).

A woodcut border to Luther's Den auszerwölte[n] lieben Gottes, allen gelydern Chrysti zuo Augspurg : seinen liebe[n] herren vnd brüdern printed in 1524. The border is composed of five separate woodcuts depicting Adam and Eve (sides), a pair of dragons flanking shields (bottom), a gryphon (center), and an owl (top).

A woodcut border to Luther's Das Ihesus Christus ain geborner Iude sey printed in 1523. The border is composed of four woodcuts depicting dueling cherubs (top), decorative plant motifs (sides), and two cherubs atop cornucopias (bottom).

A woodcut border to Luther's Das Ihesus Christus ain geborner Iude sey printed in 1523. The border is composed of four woodcuts depicting dueling cherubs (top), decorative plant motifs (sides), and two cherubs atop cornucopias (bottom).

A woodcut border to Luther's Dass Jesus Christus ein geborener Jude sei printed in 1523. The border is composed of four woodcuts depicting dueling cherubs (top), decorative plant motifs (sides), and two cherubs atop cornucopias (bottom).

A woodcut border to Luther's Dass Jesus Christus ein geborener Jude sei printed in 1523. The border is composed of four woodcuts depicting dueling cherubs (top), decorative plant motifs (sides), and two cherubs atop cornucopias (bottom).

A woodcut border to a German translation of Luther's letter to Duke Charles III of Savoy printed in 1524. The border consists of a single woodcut depicting an architectural arch or niche decorated with Corinthian columns (sides), a lady and a knight holding blank shields (top left and right), a pair of sirens holding a blank shield (top), a blank shield filled in with a hand-drawn symbol flanked by two cherubs playing the drums and flute (bottom).

A woodcut border to a German translation of Luther's letter to Duke Charles III of Savoy printed in 1524. The border consists of a single woodcut depicting an architectural arch or niche decorated with Corinthian columns (sides), a lady and a knight holding blank shields (top left and right), a pair of sirens holding a blank shield (top), a blank shield filled in with a hand-drawn symbol flanked by two cherubs playing the drums and flute (bottom).

A woodcut border to Mattias Blochinger's response to Dominicus Beyer's preaching. The border consists of four separate woodcuts depicting a pair of cherubs dueling (bottom), decorative plant motif (left), a Wild Man or a Green Man (top), and a cherub playing either a violin or viola (right).

A woodcut border to Mattias Blochinger's response to Dominicus Beyer's preaching. The border consists of four separate woodcuts depicting a pair of cherubs dueling (bottom), decorative plant motif (left), a Wild Man or a Green Man (top), and a cherub playing either a violin or viola (right).

A woodcut border on the title page of Luther's Ain Sermon Secundum Matheum printed in 1522. The border is composed of a single woodcut and depicts an architectural arch or nice decorated with plant motifs. Within the border and below the title, a cherub is depicted holding the Electoral Arms of Saxony (left) and the Ducal Arms of Saxony (right).

A woodcut border on the title page of Luther's Ain Sermon Secundum Matheum printed in 1522. The border is composed of a single woodcut and depicts an architectural arch or nice decorated with plant motifs. Within the border and below the title, a cherub is depicted holding the Electoral Arms of Saxony (left) and the Ducal Arms of Saxony (right).

A woodcut border on the title page of Luther's Christlicher Beweisung von dem Jungsten Tag printed in 1522. The border is composed of five woodcuts arranged around the title. The bottom of the border is made up of two decorative woodcuts, one featuring a bird amongst foliage (possibly a woodcut usually used for either the left or right side of a title page border, considering the orienation of the bird) and a more architectural decorative image. The left and right sides feature two similar pieces featuring blank crests, plinths and foliage.

A woodcut border on the title page of Luther's Christlicher Beweisung von dem Jungsten Tag printed in 1522. The border is composed of five woodcuts arranged around the title. The bottom of the border is made up of two decorative woodcuts, one featuring a bird amongst foliage (possibly a woodcut usually used for either the left or right side of a title page border, considering the orienation of the bird) and a more architectural decorative image. The left and right sides feature two similar pieces featuring blank crests, plinths and foliage.

A woodcut border on the title page of Luther's Sermon Am Pfingstmontag das Evangelium. Joan. iij printed in 1522. The border consists of a single woodcut and depicts an architectural arch or niche decorated with Corinthian columns (sides), a lady and a knight holding blank shields (top left and right), a pair of sirens holding a blank shield (top), a blank shield filled in with a hand-drawn symbol flanked by two cherubs playing the drums and flute (bottom).

A woodcut border on the title page of Luther's Sermon Am Pfingstmontag das Evangelium. Joan. iij printed in 1522. The border consists of a single woodcut and depicts an architectural arch or niche decorated with Corinthian columns (sides), a lady and a knight holding blank shields (top left and right), a pair of sirens holding a blank shield (top), a blank shield filled in with a hand-drawn symbol flanked by two cherubs playing the drums and flute (bottom).

A woodcut border on the title page of Luther's Sermon von den Heiltumen printed in 1522. The border consists of four woodcuts, all featuring plant motifs with added elements, including: a bird (left), birds and bugs (top), fruits (right), and an urn (bottom). Within the border and below the title is a fifth woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary to the left and a saint to the right.

A woodcut border on the title page of Luther's Sermon von den Heiltumen printed in 1522. The border consists of four woodcuts, all featuring plant motifs with added elements, including: a bird (left), birds and bugs (top), fruits (right), and an urn (bottom). Within the border and below the title is a fifth woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary to the left and a saint to the right.

Summary: Dominicus Beyer was a Lutheran pastor in Tetschen, Bohemia in the early 1520's. From his preaching Matthias Blochinger drew a series of forty heretical articles. These he presents in this pamphlet together with the Catholic response.

Summary: Dominicus Beyer was a Lutheran pastor in Tetschen, Bohemia in the early 1520's. From his preaching Matthias Blochinger drew a series of forty heretical articles. These he presents in this pamphlet together with the Catholic response.

A woodcut depicting Martin Luther, in the garb of an Augustinian monk, debating a gathering of Catholic clergy members, including the Pope, a cardinal, a bishop, and a monk. This woodcut appears on the title page of a popular anonymous account of Luther's debate before the Diet of Worms in 1521.

A woodcut depicting Martin Luther, in the garb of an Augustinian monk, debating a gathering of Catholic clergy members, including the Pope, a cardinal, a bishop, and a monk. This woodcut appears on the title page of a popular anonymous account of Luther's debate before the Diet of Worms in 1521.

A woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary baring a breast on the left and God (or possibly Moses) on the right holding the tablets bearing the Ten Commandments.

A woodcut depicting the crucifixion of Jesus Christ, with the Virgin Mary baring a breast on the left and God (or possibly Moses) on the right holding the tablets bearing the Ten Commandments.

Summary: First edition of a brief report of the first Zurich Disputation followed by the 67 Articles read by Zwingli on January 27, 1523. The 67 Articles are often cited in discussions of Luther's 95 Theses and the Augsburg Confession.

Summary: First edition of a brief report of the first Zurich Disputation followed by the 67 Articles read by Zwingli on January 27, 1523. The 67 Articles are often cited in discussions of Luther's 95 Theses and the Augsburg Confession.