• An engraved portrait of Pope Innocent VII, who sat as pope from 1404-1406. The portrait shows Innocent VII wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "INNOCENTIVS. VII. PAPA. SVLMONENSIS".
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    Innocentus VII Papa Sulmonensis

    Soye, Philippe de
    An engraved portrait of Pope Innocent VII, who sat as pope from 1404-1406. The portrait shows Innocent VII wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "INNOCENTIVS. VII. PAPA. SVLMONENSIS".
  • An engraved portrait of Pope Boniface IX, who sat as pope from 1389-1404. The portrait shows Boniface IX wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "BONIFACIVS. IX. PAPA. NEAPOLITANVS".
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    Bonifacius IX Papa Neapolitanus

    Soye, Philippe de
    An engraved portrait of Pope Boniface IX, who sat as pope from 1389-1404. The portrait shows Boniface IX wearing a papal miter with his coat of arms featured in the upper left corner. The portrait is labeled "BONIFACIVS. IX. PAPA. NEAPOLITANVS".
  • An engraved portrait of Pope Urban VI, who sat as pope from 1378-1389. The portrait shows Urban VI wearing a papal miter with his coat of arms featured in the upper right corner. The portrait is labeled "VRBANUS. VI. PAPA. NEAPOLITANVS".
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    Urbanus VI Papa Neapolitanus

    Soye, Philippe de
    An engraved portrait of Pope Urban VI, who sat as pope from 1378-1389. The portrait shows Urban VI wearing a papal miter with his coat of arms featured in the upper right corner. The portrait is labeled "VRBANUS. VI. PAPA. NEAPOLITANVS".
  • An engraved title page to Onuphrii Panuinii Veronensis Fratris Eremitae Augustiniani. XXVII. Pontificum Maximorum elogia et imagines. The engraving depicts a sculpted building facade including a base with two coats of arms and an illustration of a stork standing before a desert city (bottom); two columns with a two coats of arms and four icons featuring a peacock, anvil, burning barrel, and an obelisk (sides); and at the top, two papal crests flanking a woman holding a cross and the Keys of Heaven, while above her is a dove representing the Holy Spirit.
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    Historiated title page border of Onuphrii Panuinii Veronensis Fratris Eremitae Augustiniani. XXVII. Pontificum Maximorum elogia et imagines

    Soye, Philippe de
    An engraved title page to Onuphrii Panuinii Veronensis Fratris Eremitae Augustiniani. XXVII. Pontificum Maximorum elogia et imagines. The engraving depicts a sculpted building facade including a base with two coats of arms and an illustration of a stork standing before a desert city (bottom); two columns with a two coats of arms and four icons featuring a peacock, anvil, burning barrel, and an obelisk (sides); and at the top, two papal crests flanking a woman holding a cross and the Keys of Heaven, while above her is a dove representing the Holy Spirit.
  • A woodcut initial letter "C" decorated with plants and a fish.
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    Initial Letter "C"

    Holbein, Hans, 1497-1543
    A woodcut initial letter "C" decorated with plants and a fish.
  • A woodcut initial letter "C" decorated with plants and a fish.
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    Initial Letter "C"

    Holbein, Hans, 1497-1543
    A woodcut initial letter "C" decorated with plants and a fish.
  • A woodcut initial letter "C" decorated with plants and a fish.
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    Initial Letter "C"

    Holbein, Hans, 1497-1543
    A woodcut initial letter "C" decorated with plants and a fish.
  • A woodcut initial letter "S" decorated with plants and a fish.
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    Initial Letter "S"

    Holbein, Hans, 1497-1543
    A woodcut initial letter "S" decorated with plants and a fish.
  • A woodcut depicting a skeleton (= Death) being executed as a man and woman look on. In the center is an hourglass, the reminder of human mortality. The woodcut is accompanied by a verse from Ecclesiastes 7 translated into French (top) and then reformatted into verse (bottom).
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    The Execution of Death

    Holbein, Hans, 1497-1543
    A woodcut depicting a skeleton (= Death) being executed as a man and woman look on. In the center is an hourglass, the reminder of human mortality. The woodcut is accompanied by a verse from Ecclesiastes 7 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting Jesus siting on the earth, surrounded by a cloud of witnesses, for the last judgment. The woodcut is accompanied by verses from Romans 14 and Matthew 28 translated into French (top) and then reformatted into verse (bottom).
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    The Last Judgement

    Holbein, Hans, 1497-1543
    A woodcut depicting Jesus siting on the earth, surrounded by a cloud of witnesses, for the last judgment. The woodcut is accompanied by verses from Romans 14 and Matthew 28 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a group of putti (cherubs) displaying the spoils of battle (armor). The woodcut is accompanied by a verse from Isaiah 53 translated into French (top) and then reformatted into verse (bottom).
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    Il partira les despoilles auec les puissans

    Holbein, Hans, 1497-1543
    A woodcut depicting a group of putti (cherubs) displaying the spoils of battle (armor). The woodcut is accompanied by a verse from Isaiah 53 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a group of putti (cherubs) parading with grapes and vines. The woodcut is accompanied by a verse from Philippians 3 translated into French (top) and then reformatted into verse (bottom).
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    Ceux qui ont leur uentre pour leur Dieu

    Holbein, Hans, 1497-1543
    A woodcut depicting a group of putti (cherubs) parading with grapes and vines. The woodcut is accompanied by a verse from Philippians 3 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a group of putti (cherubs) returning from a hunt. The woodcut is accompanied by a verse from Lamentations 5 translated into French (top) and then reformatted into verse (bottom).
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    Les enfans sont trebuchez sur le bois

    Holbein, Hans, 1497-1543
    A woodcut depicting a group of putti (cherubs) returning from a hunt. The woodcut is accompanied by a verse from Lamentations 5 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a putto (cherub) holding a shield and an arrow symbolizing the prohibition given to the Israelites to not go up on the Holy Mountain, or Mount Sinai. The woodcut is accompanied by a verse from Exodus 19 translated into French (top) and then reformatted into verse (bottom).
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    Il sera percé da sagettes

    Holbein, Hans, 1497-1543
    A woodcut depicting a putto (cherub) holding a shield and an arrow symbolizing the prohibition given to the Israelites to not go up on the Holy Mountain, or Mount Sinai. The woodcut is accompanied by a verse from Exodus 19 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting an injured beggar sitting outside the house of a wealthy family, who ignore him. The beggar's hands are pressed together in supplication, but Death is not presence to release him from his misery. The woodcut is accompanied by a verse from Romans 7 translated into French (top) and then reformatted into verse (bottom).
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    The Beggar

    Holbein, Hans, 1497-1543
    A woodcut depicting an injured beggar sitting outside the house of a wealthy family, who ignore him. The beggar's hands are pressed together in supplication, but Death is not presence to release him from his misery. The woodcut is accompanied by a verse from Romans 7 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting two skeletons (= Death) destroy a wagon full of wine barrels while the waggoner looks on in distress. The woodcut is accompanied by a verse from 1 Samuel 9 translated into French (top) and then reformatted into verse (bottom).
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    The Waggoner

    Holbein, Hans, 1497-1543
    A woodcut depicting two skeletons (= Death) destroy a wagon full of wine barrels while the waggoner looks on in distress. The woodcut is accompanied by a verse from 1 Samuel 9 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a skeleton (= Death) leading a blind man by his cane. The woodcut is accompanied by a verse from Matthew 15 translated into French (top) and then reformatted into verse (bottom).
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    The Blind Man

    Holbein, Hans, 1497-1543
    A woodcut depicting a skeleton (= Death) leading a blind man by his cane. The woodcut is accompanied by a verse from Matthew 15 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a skeleton (= Death) taking hold of a man who is in the proess of robbing a woman who is carrying a basket of goods. The woodcut is accompanied by a verse from Isaiah 38 translated into French (top) and then reformatted into verse (bottom).
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    The Robber

    Holbein, Hans, 1497-1543
    A woodcut depicting a skeleton (= Death) taking hold of a man who is in the proess of robbing a woman who is carrying a basket of goods. The woodcut is accompanied by a verse from Isaiah 38 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a skeleton (= Death) playing the bagpipes as he pulls a fool down the road. The woodcut is accompanied by a verse from Proverbs 7 translated into French (top) and then reformatted into verse (bottom).
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    The Fool

    Holbein, Hans, 1497-1543
    A woodcut depicting a skeleton (= Death) playing the bagpipes as he pulls a fool down the road. The woodcut is accompanied by a verse from Proverbs 7 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a skeleton (= Death) pouring wine into the mouth of one of a group of revelers as one of his companions vomits over the side of the table. The woodcut is accompanied by a verse from Ephesians 5 translated into French (top) and then reformatted into verse (bottom).
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    The Drunkards

    Holbein, Hans, 1497-1543
    A woodcut depicting a skeleton (= Death) pouring wine into the mouth of one of a group of revelers as one of his companions vomits over the side of the table. The woodcut is accompanied by a verse from Ephesians 5 translated into French (top) and then reformatted into verse (bottom).
  • A woodcut depicting a skeleton (= Death) fighting a demon over one of three gamblers at a table. The woodcut is accompanied by a verse from Matthew 16 translated into French (top) and then reformatted into verse (bottom).
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    The Gamblers

    Holbein, Hans, 1497-1543
    A woodcut depicting a skeleton (= Death) fighting a demon over one of three gamblers at a table. The woodcut is accompanied by a verse from Matthew 16 translated into French (top) and then reformatted into verse (bottom).
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