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An illuminated page from Franciscus de Platea's Opus restitutionum usurarum et excommunicationum. The illumination includes an initial letter "R" woven into a floral patterned border. The illumination uses red, green, and blue color with gold accents.

An illuminated page from the 1472 printed edition of Honorius of Atun's Cristianus ad solitariu[m] quendam De ymagine mundi. The illumination includes two initial letters "S" accented with floral patterns. The illumination uses blue, green, and red color with gold accents.

An illuminated page from the first sermon in the 1472 printing of Roberto Caracciolo's Sermones quadragesimales de poenitentia. The illumination includes an initial letter "M" with accompanying floral imagery. At the bottom of the page is a coat of arms bearing a griffin surrounded by a laurel wreath. The illumination is done in red, green, blue, and black color with gold accents.

An illuminated page from the 1470 printing of De evangelica praeparatione by Eusebius of Caesarea. The illuminations include an initial letter "E", floral boarder decorations, and a coat of arms featuring a hart surrounded by a laurel wreath. The illuminations are done in green, purple, black, blue, and red coloring with additional gold accents.

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Summary: A largely fictitious epic poem about Saint Louis (King Louis IX) and his crusade against the Saracens in Egypt in search of Christ's Crown of Thorns.

Summary: A satire.

Summary: Translation, with additions, of Platina's Vitae pontificum.

Summary: Important description of S. Maria Maggiore in its unaltered Renaissance state, before extensive renovations of Ferdinand Fuga in 1743.

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Summary: Third French edition of Hans Holbein's Totentanz (Dance of Death), the first with 12 new images. The woodcuts were executed by Hans Lützelburger.

Summary: This is a finely executed and rare edition, dealing with the office of the Pope, with special emphasis on the person of St. Peter. Tommaso de Vio, also called Cajetan, taught philosophy and theology at Padua, Pavia, and Rome, and played an important part in the ecclesiastical affairs of the time, urging the cause of reform.

A woodcut depicting an angel gesturing towards the heavenly city of Jerusalem. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.

A woodcut depicting an angel locking the dragon, which represents Satan, into a bottomless pit to be bound for a thousand years. The image appears in the September Testament, Martin Luther's first printing of his German New Testament.