Search

An architectural historiated woodcut border on the title page of the second printing of Philip Melanchthon's inagural address to the Wittenberg faculty. The border features the printer's device of Johann Froben, a shield with a caduceus, surrounded by a wreath. At the bottom is a scene of Salome requesting, and recieving, the head of John the Baptist.

A woodcut depicting Jesus as the "man of sorrows" (Isaiah 53:3), surrounded by the instruments of his suffering and death, including a spear, cross, hammer, scourge, and crown of thorns, as three die sit stacked at his feet. The phrase "Ecce homo" appears behind the form of Jesus.

A woodcut depiction of Saint Jerome seated at his desk with two books before him, one with Greek letters and another with Latin, representing his work translating the Bible. Jerome has turned from the books to remove a thorn from the paw of a lion, a popular story from the saint's life.

Summary:

Summary: A thesis written in partial fulfillment of the requirements for the degree of Bachelor of Divinity at the Candler School of Theology on the educational opportunities for African American children in Atlanta, Georgia, including an assessment of curriculum, teaching staff, and school buildings.

Summary: Foochow colloquial hymns with music.

Summary: It is claimed to be the first English Bible translated by a woman.

Summary: It is claimed to be the first English Bible translated by a woman.

Summary: Chinese hymns in Amoy dialect (Romanized).

Summary:

Summary:

Summary:

Summary:

Summary: This is Luther's reinstatement of the Litany of "All Saints", containing both the musical notation and German text of the antiphons.

Summary: This is a response, written by Zwingli and adopted by the Council of Zurich, to a warning letter from Hugo von Hohenlandenberg (1457-1532), Bishop of Constance, about the destruction of images (Simulacra) and the reform of the Holy Mass. The bishop argued that the Bible forbade only heathen images; Christian imagery was entirely licit and its use sanctioned by the Council of Nicaea. The book was circulated at the Diet of Lucerne in April 1524 but did not reach Zurich until early June.

Summary: Response by King Henry VIII of England to Luther's attack on his book, "Assertio septem sacramentorum", on the seven sacraments of the Catholic Church. This printing was issued in Leipzig by Hieronymous Emser, early opponent of Luther, with a reply by his ruler, Duke George of Saxony, and dedicated by Emser to Johann von Schleinitz, bishop of Meissen.

Summary: This is the third of Luther's three great reformation tracts of 1520. Addressed to Pope Leo X, this work is a discourse on the freedom of the will, turning on the paradox: A Christian is free, lord over all things, subject to no one. A Christian is a bounden servant of all, and subject to everyone. This is the fourth printing of Luther's own German translation.

Summary: An early sermon by Luther on Indulgences and Grace. First appearing in 1518, this work went through fully fourteen printings in that year alone.

A guide for incoming and returning students to the services and resources at Pitts Theology Library. This is the inaugural release of the zine, featuring original artwork by Ann McShane and advice gathered from students and library users during the Spring 2023 semester.

A nineteenth-century lithograph depicting John Wesley preaching at the City Road Chapel in London, addressing the 446 preachers in his connection. The lithograph was produced in the studio of William S. Pendleton (1795-1879) in Boston. Many of the individuals featured in the print are clearly identifiable by their printed engravings from the late eighteenth and early nineteenth centuries. One can quickly identify the familiar faces of Charles Wesley (1707-1788), John William Fletcher (1729-1785), Joseph Benson (1749-1821), and others.

Summary: