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A collection of the SBL Seminar Papers from the Society of Biblical Literature's 112th Annual Meeting, held October 28-31, 1976 at the Stouffer's Riverfront Towers in St. Louis, Missouri.

A collection of the SBL Seminar Papers from the Society of Biblical Literature's 111th Annual Meeting, held October 30-November 2, 1975 at the Palmer House in Chicago, Illinois.

A collection of the SBL Seminar Papers from the Society of Biblical Literature's 111th Annual Meeting, held October 30-November 2, 1975 at the Palmer House in Chicago, Illinois.

A collection of the SBL Seminar Papers from the Society of Biblical Literature's 110th Annual Meeting, held October 24-27, 1974 at the Washington Hilton in Washington, D.C.

A collection of the SBL Seminar Papers from the Society of Biblical Literature's 110th Annual Meeting, held October 24-27, 1974 at the Washington Hilton in Washington, D.C.

A collection of the SBL Seminar Papers from the Society of Biblical Literature's 109th Annual Meeting, held November 8-11, 1973 at the Palmer House in Chicago, Illinois.

A collection of the SBL Seminar Papers from the Society of Biblical Literature's 109th Annual Meeting, held November 8-11, 1973 at the Palmer House in Chicago, Illinois.

A collection of the SBL Seminar Papers from the Society of Biblical Literature's 108th Annual Meeting, held September 1-5, 1972 at the Century Plaza Hotel in Los Angeles, California.

A collection of the SBL Seminar Papers from the Society of Biblical Literature's 108th Annual Meeting, held September 1-5, 1972 at the Century Plaza Hotel in Los Angeles, California.

A collection of the SBL Seminar Papers from the Society of Biblical Literature's 107th Annual Meeting, held October 28-31, 1971 at the Regency Hyatt House in Atlanta, Georgia.

A collection of the SBL Seminar Papers from the Society of Biblical Literature's 107th Annual Meeting, held October 28-31, 1971 at the Regency Hyatt House in Atlanta, Georgia.

Summary:

Summary:

Summary: Joseph Klug printed the first collection of hymns that Luther prepared specifically for congregational use in Wittenberg in 1529. It followed the church year closely and was revised and reprinted several times. The renowned hymnal printed by Valentin Bapst (Geystlicher Lieder'; Leipzig, 1545) may be seen as a later edition of the Klug hymnal. (Robin Leaver, "Hymnals," in 'The Oxford Encyclopedia of the Reformation' (1996) 2:286-89.)

A woodcut border to Luther's Eyn brieff an die Fürsten zu Sachsen von dem auffrurischen geyst printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Wider den neuen Abgott und alten Teufel printed in 1524. The border is composed of a single woodcut depicting an architectural archway supported by Corinthian columns (all), a pair of cherubs holding staves (top corners), and a pair of cherubs holding a medallion with a blank shield (bottom).

A woodcut border to Luther's Ain Sermon uon der frucht vnd nutzbarkait des hayligen Sacraments printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Widder das blind vnd toll verdamnis der siebenzehen artickel von der elenden schendlichen vniuersitet zu Ingolstat ausgangen printed in 1524. The border is composed of a single woodcut and depicts a cherub flanked by two deer (bottom), decorative plants (sides), and a cherub holding a blank shield flanked by two other cherubs (top).

A woodcut border to Luther's Eyn kurtze vnterichtu[n]g, warauff Christus seine Kirchen, oder Gemain gebawet hab printed in 1524. The border is composed of four separate woodcuts depicting God or Jesus Christ holding the globus cruciger (top), decorative pillars with fish and plant motifs (sides), and the scene of the woman and the dragon from Revelations 7 (bottom).

A woodcut depicting a monk in conversation with a knight. The woodcut appears on the title page of Luther's letter to the head of the Teutonic Order of Knights arguing against the requirement of celibacy.

A woodcut border to a German translation of Luther's letter to Duke Charles III of Savoy printed in 1524. The border consists of a single woodcut depicting an architectural arch or niche decorated with Corinthian columns (sides), a lady and a knight holding blank shields (top left and right), a pair of sirens holding a blank shield (top), a blank shield filled in with a hand-drawn symbol flanked by two cherubs playing the drums and flute (bottom).