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A vellum leaf containing the text of Luke 1:46-55 and featuring decorative initial letters.

A leaf from an epistolary featuring musical annotation and the text of Matthew 27:60-64.

A vellum leaf from a Latin Book of Hours. The leaf contains 1/4 panel borders, 1-line and 2-line decoratored initials, and decorated line endings all of liquid gold and tempera.

A vellum leaf featuring a liturgical calendar with decorative text, initial letters, and three-sided border all in red and blue inks.

A vellum leaf from a Latin Book of Hours. The leaf contains 1/4 panel borders of flowers and tree trunks in liquid gold and tempera.

A vellum leaf from a Dutch Book of Hours. The recto and verso have decorated borders, two- and five-line decorated initials, and an angel in the margin of the recto showing wounds on his hands and feet all in red and blue inks.

A vellum leaf from a Dutch Book of Hours. The recto and verso have decorated borders; the recto contains a six-line historiated initial “S” depicting the head of Christ, the symbol of the “agnus dei” (lamb of God) in the margin, and two two-line decorated initials all in red and blue inks.

A vellum leaf containing the partial text of 1 Kings (1 Samuel). The text contains an illuminated zoomorphic initial “F” with a long marginal extender. There is also a decorated letter beginning the first chapter of 1 Kings (1 Samuel).

Summary: A set of questions written by Bennet, here referred to as queries, posed to Count Niclaus Ludwig graf von Zinzendorf, the founder of the Moravian Church.

An engraving of Daniel, flanked by a lion and lioness, the four beasts from his vision depicted in the sky on either side of his head.

An engraving of the four beasts which appeared to Daniel in a vision rising from the sea.

An engraved portrait of Olaudah Equiano which appears in his autobiography.

A woodcut depicting a monstrous fish purportedly pulled from the sea in Poland, which had the appearance of a Catholic monk.

A woodcut depicting a monstrous fish purportedly pulled from the sea in Poland, which had the appearance of a Roman Catholic bishop.

A woodcut depicting the four beasts described in Daniel's vision placed on a map, one each in Europe and Africa, and two in Asia. The beasts are placed in such a way that they surround the holy land.

An engraving of the two beasts mentioned in Revelations. On the left, is the seven-headed beast from the sea. On the hill to the right is the "lamb-horned" beast from the earth.

An engraving of the four beasts which appeared to Daniel in a vision. Each beast represented a different kingdom and is labeled from left to right: Roma (Rome), Grecia (Greece), Persia, and Asyria.

An engraving of the dragon mentioned in Revelations, which granted power and authority to the Beast from the Sea and the Beast from the Earth.

An engraving of Daniel sleeping (left) as his vision of the four beasts (right) appear, each beast labeled with the kingdom they represent: Roma (Rome), Grecia (Greece), Persia, and Assyria.

A woodcut depicting two boys, one born with four [feet] and one born without hands or eyes and the lower body of a fish. These beings are described in the text as being portents of the coming of Islam, implying that Islam was a danger to Christians.

A woodcut of the first Beast mentioned in Revelations, which emerged from the sea. It has seven heads and ten horns.